Terminal Beach

Aomen I, 2016



Like Charrière's series 'Polygon', these black and white works recall the objective style of the Duesseldorf school while surveying the apotheosis of mid-century atomic-industrial architecture. With their rusting iron rebar and crumbling concrete, now falling like flakes – prey to salt air and, once, unimaginable vibrations – some of these structures recall pyramids; odious leftovers of a questionable ideal.

Aomen II, 2016

Aomen III, 2016

Eneman I, 2016

Eneman II, 2016

Eneman III, 2016

Eneman IV, 2016